It absorbs whatever image is incident on it, and reflects it very truly with no distortion or manipulation. Other times the rhythm or rhyme scheme serves as a key to discovering the meaning of the poem. The lake will reflect not only the outer appearance and perspective of the woman, it will show the unavoidable truth within her. As it boasted earlier in the poem, the mirror reveals only truth. It seems most likely that the water is a metaphor for time, or aging. The mirror conjures the vision of a lake and sees itself as one. Technical aspects: Free Verse: The poem is a free verse, in that it has no rhyme scheme.
After Plath's 1963 suicide, many critics examined the writer's different facets, contrasting her put-together, polite, and decorous outer self with her raging, explosively-creative inner self. Rhyme tends to secure the lines and anchor them in a familiar sound, but here the poet has chosen to end each line with a different word, virtually unrelated in sound or texture. Each morning it is her face that replaces the darkness. She and her husband moved to a small town and their marriage began going worse. Now her old and wrinkled face emerges. The wall is painted pink.
Lines 7-9 The wall is pink, speckled, and is now an integral part of the mirror's heart, suggesting that this silver-eyed god has gained a feminine side to its persona. In lines 7-8 the mirror is silver, but now we get the image of the pink wall, that the mirror most often. The reflection of the object appears to be inside the mirror. I see her back, and reflect it faithfully. She lived a very short thirty-year life which was riddled with stress and depression. It is clear that she is starting to lose the small amount of control she had over the situation. So the mirror becomes the eye of a little god, metaphorically speaking.
In the beginning the changes are simple, like the acts of day turning to night, but at the end we see the life changes of a woman in particular. Most of the time I meditate on the opposite wall. The second line of every stanza is at all times half of the building and denotation of the first line of the subsequent stanza. Now I am a lake. In particular, she wanted to highlight the issue that some females have with their image, and the inner turmoil that can be caused as the aging process picks up its pace. Most of her poems are… February 2016 I will neither give nor receive unauthorized aid. Truth is a powerful element in the poem.
Any object placed in front of the mirror is reflected in it. Sylvia Plath would commit suicide using her gas oven in February of that same year. But such façade is deceptive. The reflection is precise and accurate. Because of this honesty, the woman cries and wrings her hands. When Plath was only eight years old her father, who had been strict and authoritarian in his parenting style, died.
The poem also employs the use of past tense in the first stanza line 1 ; the author starts by saying that it was the house that suffered most. She also wrote The Bell Jar, a semi-autobiographical novel published shortly before her death. So she is trembling or shaking. Lines 22-24 The poem is beginning to conclude as the reader comes to understand that this ride on Ariel is more than just an accidental brush with disaster, it is a wake up call, an opportunity that the speaker takes to change her way of life. Just as whatever falls on the surface of the lake is drowned in it, the mirror also swallows whatever falls on its surface. The mirror watches a woman's youth pass her by, and it appears that the woman gauges her worth on what she sees there. She started writing poetry for the literary magazine in her school also, by that time.
In lines 7-8 we have another example of personification used to create a metaphor for reflection because mirrors don 't see and they don 't look. Claiming that though certain images reflected in it might be painful to certain people at certain stages of their lives, it is in no way responsible for causing this pain because it reflects exactly what it sees. It is as if the mirror is meditating on the opposite wall. Through the use of metaphor and personification in the poem, Plath creates images of water, reflections, and colors as having human characteristics to emphasize the strong theme of change throughout the poem. We see that by the end of the poem, a girl is drowning and a fish is rising to take over her.
This is why the mirror considers himself a superior friend. Old age is inescapable, but the idea of ageing is not received well by everyone. Apparently dissatisfied with what she sees, she turns back to see herself in candle light and under moonlight. We do know that she looks in the mirror daily: ''Each morning it is her face that replaces the darkness. It shows the woman exactly as she is, which is disagreeable to her. Tears well up in her eyes and she is left wringing her hands. In this poem there is one speaker although the speaker takes on different forms.
Perhaps just as the woman looks in the mirror and sees more than a reflection but a definition of who she is, Plath could be struggling with her identity. This blunt honesty of the lake-mirror and her own unpleasant state is the reason for her sadness. She has been fond of admiring her youth and beauty as reflected by the mirror. Compared to most of the others in Plath's oeuvre, this poem is not particularly difficult to analyze. This shows an acceptance of that loneliness and even affection towards it. The deity has control of the human, which is how traditional stories often pan out. In the poem water is both a reflecting surface and an actual lake.
She felt lost, she was empty and had no satisfying love in her life. The speaker is not Sylvia Plath, but the mirror itself. That is, the poet has given the mirror a first-person voice. A woman bends over me, Searching my reaches for what she really is. The mirror apparently is the speaker in this literary work. In lines 10-11 we find out that the mirror is a lake, shifting from the silver of a mirror to the silver of clear water. Besides this, he also holds law degree.