The river glideth at his own sweet will: Dear God! The persona is expressing his thoughts, and reaction to, the city in the morning. Therefore, it is beyond beautiful and has become stately. After having finished with a general view on the sonnet, a more detailed analysis concerning some crucial points will follow now. The speaker compares the sunlight on the buildings to the light that shines on the countryside, and he seems surprised to feel more at peace in the bustling city than he has anywhere else. One important thing to remember is the background of the poet.
In the still of the morning, the city sleeps, and the wonders of nature are temporarily highlighted. For instance, the word chartered is used two times in the first two lines. The first eight lines praise the beauty of London in the early morning light, as the poet stands on Westminster Bridge admiring the surrounding buildings. Only a dull person would not appreciate such a majestic sight. Looking back in the brilliant morning sunlight at the sleeping city of London, the poet composed his Petrarchan sonnet in a tone peaceful and serene. In lines 3-4, the word mark is used three times to describe the facial expression of people.
Wordsworth was one of the most important Romantics, and as such, is always interested in themes of nature and beauty. I apologise for not citing the sites as references. This fact implies that the beauty of the morning is something temporal in the city. This poem also contains examples of personification, which assigns human characteristics to non-human objects. It features a speaker sharing his impressions of the view from, you guessed it, Westminster Bridge. The poem was actually written about an experience that took place on July 31, 1802 during a trip to France with Wordsworth's sister,.
The first two lines of the poem demonstrate the metric pattern: The first eight lines present a view of the city as it wears the sunlit morning like a garment and its edifices glitter beneath the sky. The version of the poem used to create this study guide appears in: Applebaum, Stanley, editor. As the reader progresses through the poem, he is made to slow and thus to reflect upon what he is reading; the punctuation itself acts as a limitation on how quickly the reader can rush through the poem, thus lending aid towards imagining what is being stated in the poem itself. The twelfth verse tells us that the river flows at its own will. In this case, Wordsworth uses the ninth line to subtly shift the focus from the man-made wonders of the scene before him to the natural wonders at play. It can be regarded as a question to God when the speaker says that even the houses seem to have fallen asleep.
The starting line itself gives ample evidence for his mastery over the language. Yet Wordsworth finds London a glorious sight in the early morning light, because the city has not yet woken up and these industrial processes and governmental activities have not yet begun. A curtal sonnet is normally ten and a half or eleven lines long and so makes exactly three quarters of a petrarchan sonnet like Upon Westminster Bridge. A Petrarchan sonnet consists of an eight-line stanza octave and a six-line stanza sestet. In the end, the poet appears to be stunned into complete silence by the beauty of London. The various landmarks visible from the bridge, including and the , stand before him in all their grandeur in the morning light.
The speaker starts out with a huge exaggeration: of the scene before him, 'Earth has not anything to show more fair. London, however, set the tone for nearly everything — fashion, worn in London, was imitated in other provincial towns. Wordsworth, being a modern guy, was starting to experiment with the form and to write in a more conversational style. Therefore, when the persona describes the houses as sleeping, he is emphasizing the peace that exists in the city in the morning. Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Upon Westminster Bridge is made up of fourteen lines, which is divided into two; an octave which is made up of eight lines and a sestet which is made up of the remaining six. London is described mainly based on its physical features.
He began attending in the same year, and received his B. The speaker appreciates the beauty of the natural world as a backdrop to civilization, and cherishes a brief moment when these natural wonders are heightened and undisturbed by industrialization and commerce. The last striking point about the structure of the poem is the occurrence of many punctuation marks which slow down the speed of the sonnet while reading it. The time is so early that all is quiet. The first stanza presents a theme or problem, and the second stanza develops the theme or suggests a solution to the problem. This position is supported by the second verse which tells that anybody who is attracted by the view cannot evade, only if this person probably has a deaf character.
In the sense that the longer you steep tea the stronger it gets and the longer the day goes on the stronger the sun gets. Composed Upon Westminster Bridge Analysis Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. In general it is hardly possible to see any of them caused by pollution etc. The buildings and ships are seen as part of the greater setting: the natural landscape. Generally apart from human, all the male animals are more handsome when compared with the female ones.
The poem is a , arranged into an octave or eight-line section and a sestet or six-line section although unlike some Petrarchan sonnets, Wordsworth does not have a blank line dividing the eighth and ninth line , rhyming abbaabba and cdcdcd the abba abba rhyme scheme in the first eight lines is the giveaway that this is a Petrarchan sonnet. They stopped in London, where Wordsworth took great inspiration from the appearance of the city as he rode across Westminster Bridge. This shows that he was certain in his view that one day or the other day, the society would surely wake up, with social consciousness. That Wordsworth mistook the date when he published the poem some five years later tells us that it most likely did not have a title to begin with, or that its original title was just meant to be temporary. The majority of these postings are from the internet. This word alludes to even the streets and rivers suffering under political oppression, and the word hints at the miserable and dark life of chimneysweepers, soldiers and harlots in the following part of the poem, who are all poorly paid. Wordsworth was a famous Romantic poet.